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“One of modern jazz’s most skilled navigators of the divide between inside and outside, freedom and swing," Cornetist and Composer Kirk Knuffke has “full command of his most demanding instrument” (All About Jazz).

Accolades for Knuffke include NPR’s Best Jazz Album of the Year for 2017’s Cherryco (SteepleChase),winner of DownBeat Magazine’s “Rising Star” critics poll in 2015, and recipient of the Jerome Foundation Composers grant. In 2016, he placed 2nd in the European El Intruso Critics poll for trumpet.  

Knuffke has released 18 recordings as leader or co-leader and is featured as a sideman on over 50 recordings with leaders Matt Wilson, Allison Miller, Butch Morris, Uri Caine, Pierre Dorge and Michael Formanek to name a few. It’s no wonder the New York Times tagged Knuffke as “one of New York City’s Busiest Musicians.”

Originally from Colorado, self-taught Knuffke began playing with Butch Morris after landing in NYC in 2005. This friendship resulted in 4 recordings and several European tours. Knuffke then joined the celebrated Matt Wilson Quartet in 2009, recording Gathering Call (Palmetto) featuring John Medeski. He also currently performs with Allison Miller’s Boom Tic Boom, Sifter with Mary Halvorson and Wilson,
and groups led by Charlie Hunter, Ben Allison, Ray Anderson, Mark Helias, Bill Goodwin, Karl Berger, Michael Bisio and Ted Brown.

Knuffke’s way of “perfectly balancing sly groove and meditative exploration" (Time Out New York) has been highlighted during collaborations with a host of incredible musicians including Roswell Rudd, William Parker, Myra Melford, Steve Swell, Marshall Allen, Tootie Health and Billie Hart.  Knuffke has studied privately with Ornette Coleman, Art Lande and Ron Miles. He recently recorded a duo with John Medeski slated for 2018.

His 2015 release Arms and Hands (Royal Potato Family) garnered praise from every major jazz publication, 4 Stars in DownBeat Magazine and a write-up in TheSunday New York Times.  Feature articles in DownBeat and JazzTimes have spotlighted Knuffke’s unique talent.

2017’s Cherryco captured Knuffke’s “nonchalant versatility and ebullient melodic gifts,” (DownBeat) and was deemed as “nothing short of spectacular” by Village Voice critic Francis Davis.

Knuffke recently contributed to April 2018 DownBeat’s Brass School Series, penning an article entitled “Time and Tone.”



 

 
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News & Updates:

 

Accompanying Cécile McLorin Salvant’s Ogresse
Arranged and Conducted by Darcy James Argue

Friday November 16th: NJPAC

Saturday November 17: Kennedy Center

 

DISCOGRAPHY

PRESS QUOTES

Knuffke possesses a “combination of history, artistic lineage, and
masterful musicality that has marked his swift ascent from sideman to
leader to acclaimed fire-starter . . . rhythmically precise, New
Orleans funky and full of grace . . . Knuffke’s music is a reflection of his multifaceted
personality: part musical sage, part jazz philosopher, a self-taught
musician with wide interests, endless curiosity and an abundance of
good humor.” -Ken Micallef, DownBeat

“Cornetist Kirk Knuffke harbors a dual commitment to formal
experimentation and bedrock tradition: There’s no either-or. Still,
it’s not often that you encounter the harmony of forces found in Arms
& Hands
(Royal Potato Family), Mr. Knuffke’s excellent new album…”
-Nate Chinen, The New York Times

“…Knuffke isn’t the least bit reticent about following his restless
muse wherever it leads him. The result is a ballooning body of work
that is at once prolific, invitingly diverse, and perhaps most
dependably, far from predictable.” -Derek Taylor, Dusted

“Over the last couple years, New York trumpeter Kirk Knuffke has
quietly emerged as one of the most exciting and flexible hornmen on
the scene.” -Peter Margasak, DownBeat

“Kirk Knuffke is a very creative trumpeter . . . explorative and
advanced yet concise . . . colorful, witty, unpredictable, inventive
and swinging. . .” -Scott Yanow, All Music

“There’s a poised fleetness to Knuffke’s lines . . . Knuffke employs a
range of the history of his instrument . . . Knuffke’s stately pathos
tells one more in a few held half-valves than most trumpeters could in
a lifetime. . . the trumpeter’s self-assured assimilation of the
postbop language into free playing is extraordinarily fresh and
gimmick-free.” -Clifford Allen, Bagatellen

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CONTACT

For booking inquiries contact:

Elm Twin Artist Management at 206.909.5186

booking@elmtwin.com